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June 2009 Archives

Flashing Lights: Kanye's new digs

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Behind the scenes stage setups for Kanye West's upcoming European tour/this fall's tour with Lady Gaga. Conflicting reports thus far.

Should be quite the spectacle either way. More shots after the jump...

Actually scratch that, catch them at U of Ye directly. I'm not wasting the bandwidth uploading varying shades of the same picture. And yes, blogosphere, the set does look like the Aggro Crag.
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Summer preview season: The albums



Evan hit me up the other day about how it seems like Rappers These Days are all dropping cinematic previews (the industry term is "EPK," for Electronic Press Kit) in advance of their albums. Chalk it up to publicity camps playing to the 24-hour blog cycle.

Since it's the summer movie season and everybody loves previews, I've rounded up three recent clips advertising forthcoming hip-hop blockbusters. The above YouTube manifesto is for Lupe's hotly anticipated third album Lasers. Up next is an intergalactic romp heralding the August release of Kanye protege Kid Cudi's debut, Man On the Moon: The End of Day.
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Drake signs to Young Money, meets Alexa Chung (Drake overload)


I wasn't gonna post the above Drake bait, but I think it stands as a really great example of one of the most interesting narratives in the hip-hop world right now. Not Drake himself, but the fact that EVERYONE is seemingly head over heels in love with him...
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Vibe Magazine closes its doors

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The magazine industry is in dire straights, and the web has revolutionized music journalism beyond recognition. Times are hard for the forerunners. It goes without saying that Vibe was a legendary institution that was a breeding ground for some of the finest hip-hop journalism and journalists over the 15 years of its existence. It's ironic that the magazine's most brazen attempt to ride the Internet zeitgeist in the waning years of its relevance, April's "50 Best Hip-hop Blogs" feature, now stands as a showcase for its replacements. As they say, the show must go on.
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Drops - June 30

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Wu Tang Clan - Chamber Music


I've been listening to Michael man. Little else. When all the pretensions are removed and the bullshit vanishes, and we have this brief window between global mourning and an overstated spin cycle, well, Michael Jackson makes most music sound like shit. Especially Charles Hamilton.

Exploring the vast chasms of my iPod, however, recently came across the new B.o.B mixtape. Specifically the posse cut with Ash Roth and Charles Hamilton. That's some "fuck hip-hop" stuff. Fucking awful. Rapping about blogging and shit.

Anyway, we're at another Tuesday of new albums that no one will buy. The biggest name releasing music today is The Wu. But the most enticing pick of the week comes after the jump.
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B. Hardy f/ Kenna Okoye - Pressure

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Mr. Hardy hit me up with this one last night.

Bomb track getting lots of plays and circulation. The Dallas-based rapper is a mechanical behemoth, and I urge you to stay tuned for more output.


B. Hardy f/ Kenna Okoye - Pressure
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New Hov video - "D.O.A. (Death of Autotune)"

 

The first video off Jay's highly anticipated album, Blueprint 3, debuted after last night's BET Awards. The video itself seems very typical, aside from special appearances by Lebron James and actor Harvey Keitel. Blueprint 3 is set to drop on 9/11. 

You can also watch Beyonce mouth the words to Jay's new single during his performance at the BET Awards after the jump.
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ATG Presents: Never Stepped On w / J. Couch - BET Awards

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ATG's own J. Couch goes in.


A critical, focused take on last night's timely BET Awards.

You can listen to the two-part transmission in its entirety here, more AP images from the ceremony after the jump.
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MJ Video Weekend X


Ok, I had to save this one for last. My favorite video of all time. And with a price tag of $7 million, the most expensive video of all time. "Scream" paired the super star with his superstar sister for the first and only time. Directed by video legend Mark Romanek, the clip's manic energy, unbelievable (even for MJ) dance moves, space-age wardrobe and breathtaking/iconic imagery make it so far-out, its vision of the future will still be dropping jaws decades from now. As well it should.
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MJ Video Weekend IX


I remember thinking this video, for Dangerous' '92 single, "Jam," was the coolest thing ever when it came out. I was six, and Kriss Kross and Michael Jordan were a very big deal. Looking at it now, I see the obvious but earnest ode to basketball as an urban hustle. And of course, still, the two MJs one-on-one.
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MJ Video Weekend VIII



Righteous minds can disagree, but for my money, Nas' unforgettable second single is the greatest Michael Jackson sample of all time. Produced by Large Professor, the Illmatic closer "It Ain't Hard to Tell" is built from a loop of "Human Nature," the oft-sampled tear-jerker from MJ's definitive masterpiece, Thriller.
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MJ Video Weekend VII




The MC Lyte classic "Keep On Keepin' On" (featuring cult-classic girl group, Xscape) samples MJ's "Liberian Girl" to excellent effect. It's not necessarily a high-profile sample, but definitely one of my favorites.   
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MJ Video Weekend VI


Let's take a little time out for the samples today. Needless to say, there are plenty to choose from: some of which range from forgettable to borderline offensive, and some of which, like the Kanye-helmed seminal Jay-Z anthem "Izzo (H.O.V.A.)" achieve greatness in their own right.

On 2001's "I Want You Back" sampling Izzo, Kanye became the most important hip-hop producer of his generation, and Jay-Z became the rap god named Hova, laying down one of the most potent verses of his venerated career. They did it for their culture.
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MJ Video Weekend V



My favorite Michael jam. One of the few I actually, you know, remember and lived through having been born in 1985.

The hilariously long clip combines the three biggest stars in sports, music, and comedy from the '80s - Magic, Murphy, Michael - enjoying the apex of fame one more time before the decidedly more harsh '90s took notorious career tolls.

Maybe we should consider this King Tut-inspired clip a cursed project.
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MJ Video Weekend IV



Even at his most melodramatic, Michael got 'em with his sincerity.

I mean, yes, this is a six minute song about an Orca, but pretensions aside he nails it.
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MJ Video Weekend III




Before "The Simpsons" was stomping grounds for celebrities dying to seem with the times, Michael Jackson was a fan.

As the story goes, Jackson reached out on the condition his guest storyline involve a scene wherein he and Bart stay up all night writing music. He went along with the offbeat idea of voicing a mental patient who claimed to be the King of Pop, removed his name from the credits (appearing as "John Jay Smith"), wrote a beautiful song for Lisa Simpson, decided to have an impersonator track said song's vocals.

The tense, tumultuous project netted one of the signature moments in "Simpsons" folklore.
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MJ Video Weekend II



Brilliant, oft-sampled track. From the short-lived Jackson variety show.
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MJ Video Weekend


Michael Jackson wasn't merely the greatest pop star of all time, he was a relentless artist and innovator, using his craft to cut across cultures. He changed popular music, dance, performance/stage craft, celebrity personae and perhaps most thrillingly, the music video. The past two days have set loose a round-the-clock deluge of Michael's seemingly endless catalog of classic material, and we're all the better for it, because the man's video legacy is a sight to behold. Each short film or prime time event or Michael Jordan cameo or Scorsese collab pushed the boundaries of music as spectacle.

This weekend, in honor of that legacy, we'll be dedicating this space to reminiscing over our favorite MJ and MJ-inspired videos, beginning with the above clip for "Leave Me Alone" off 1987's Bad and the subsequent Jackson vehicle, Moonwalker. Directed by Jim Blashfield, "Leave Me Alone" was the first of several pivotal MJ tracks fueled by his tumultuous relationship with the press, a sentiment the video captures unequivolly, using near-DADAist imagery to turn Jackson's body into a literal circus. The combative tone may have made the video less fondly remembered, but the final product is no less impressive.
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Metrics: The Michael Years


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AP photo

ATG sizes it all up.


Dangerous memories are the fondest.

The 1991 release was Jackson's last great album, last reign of blinding humanity before the  eccentric's personal series of collapses really began plaguing him. Thriller and Off The Wall are the world-soundtracking cornerstones; Dangerous is the forgotten triumph.

Dangerous is the magic eye album cover, frying corneas from a bewildering stare; the definitive tape rocked til my tape popped cassette for anyone born between '83-'88; Macaulay Culkin in stunner shades; the simplistic, honest, literal call for social understanding be they black, white or animorphing black panther; escaping the clutches of Eddie Murphy and Magic Johnson in ancient Egypt; the Super Bowl halftime show from the Leon Lett game.

The highlights never stopped for the show-stopping song and dance man - the "Free Willy" jam, the lavish, still-banging Janet duet in space - but after Dangerous we turned to hungry understudies like Teddy Riley and Usher. We started listening to Coolio and Pac as Michael's demons defined him.

What a source of pride and inspiration to hip-hop.

I mean how many times was Michael sampled? James Brown, Curtis Mayfield and George Clinton's arrangements made surefire gold more prominently, fine, but I count roughly 10 billion bits and flips from the infinite producers looping the intro bars of "Never Can Say Goodbye" to Kanye West blowing up a minor, song-closing silhouette from "P.Y.T." into three minutes of chart gold.

Sonically, Michael served as ambassador between the cocaine disco era of black music, to the heavy, backbeat-based invasion of hip-hop. From silver sequins no one else can pull off to kicking it with Wesley Snipes at grimy train stations with spray cans.

For all its hardness and alpha aims, the best rappers swagger-jacked the shit outta Michael. The dancing, the party grooves, the fashion. Really, it was about perspective and ambition: An African-American from a working class family in Gary, Indiana can be massive, so can I, the sheer spectacle and grandeur inspired by his media.

What a source of pride and inspiration to Americans.

The biggest pop star in modern history is one of ours and he's been a giant forever. In 1969, the only band with a comparable discography in terms of mass consumption recorded and released Abbey Road. It's the best thing The Beatles ever made. Arguably, anyway. Amazing. Grandiose.

All the while, however, a 10 year-old Michael Jackson recorded that year's best song. Arguably, anyway. Massive. Earnest.

"I Want You Back" sings the passion and blues more convincingly than John and Paul. The otherwise absurd notion that a sheltered little boy can preach heartache, lust and passion is never questioned because of that one-in-a-million voice.

And unlike Mickey Rourke, River Phoenix, Buddy Holly, Elvis, Len Bias, the raw, tender talent only burned brighter and brighter until inmates in the Philippines emulated his moves in unison, leaving no question of its potential.

In mourning, pundits and colleagues are rallying around a particular point that the Austin-American Statesman's Patrick Caldwell happened to present to us in an email I'll cite for its concise summation:

"Thought: it feels like a very healthy amount of the mourning over the last 24 hours is as much about the death of music as a global pop cultural force as it is about Michael Jackson. I mean, Jackson sold 750 million albums. That, of course, is insane. That's one album for every seven or so people on the planet Earth. Jackson represents a kind of global cultural touchstone that, as a consequence of the incredible stratification of popular music that's taken place over the last 10 years, will never happen again."

 
I disagree. Pop will always infect continents quicker than H1N1. The "death of pop" line fails.

The sadness is much simpler. Michael Jackson was superbly talented and the stars aligned and allowed for him to create sublime music everyone loves. Michael's passing eliminates the source, the light. We lost a genius and the possibility of more brilliant, life-altering, era-defining work from that wellspring.

Luckily the loss brings the songs back to the frontal lobe of our collective subconscious, immediately recalled positively, moving forward and superseding the perils. I spent last night celebrating at the Alamo Drafthouse, belting drunk standards in a packed house that emptied so long after last call, 6th Street was scattered cops on Clydesdales and homeless veterans snuggling in nooks.

Here's to his second life.


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Michael Jackson Dead at 50

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The LA Times reports. No words here. Just silence for the undisputed King of Pop.
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Drake, Phonte, Elzhi, 9th Wonder - Think Good Thoughts

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Who went and said good rappin' was dead?

I'd say three of my ten favorite emcees at present on a track from a producer I've fallen in love with all over again is serious business. Enjoy.

UPDATE:

Joint lives up to its billing. Ninth's soul stirrer a subtle slice of mysticism-killing by three emcees hell bent on cementing their intellectualism, shaking the "will he/won't he" facade most rappers fume rhymes with (i.e., I'll do this that and the other and my sordid past I keep alluding to proves this and you can't prove otherwise so just shut up and soak it in bitch).

Drake's chorus is surprisingly well inflected and street for a talent who relies on his crooning for hook narratives, though his 16 disintegrates into boner gloating. A good thing, somehow.

Phonte, ripe in his element, comes more literal: pointing to his college degrees and well-spoken nature, but his verse is buried between a hungry young ace stoked to sit in with the pros, and Slum Village's Elzhi, one of those Detroit motherfuckers; the kind to rap and rap and rap and rap and rap until, well, motherfuckers recognize. Merits across the board.



Drake, Phonte, Elzhi, 9th Wonder - Think Good Thoughts
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"Black Star was named after Buzz..."


I think we all needed a good laugh today. Watch as the Doggfather and one half of Black Star collaborate on a song for an upcoming Buzz Aldirin music project. Looks like this record is going to be out of this world (sorry).
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New Reflection Eternal video - "Back Again"




Yezzir. Kweli doesn't stay gone for too long. Here's to longevity.

In case you haven't heard, Reflection Eternal (Talib + Hi-Tek) are "back again." New album slated for fall
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Shows: Trouble & Bass @ Beauty Bar

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Scion perpetually holds down Austin with swarms of free hip-hop shows. We're talking Redman, Slick Rick, M.O.P., Pharoahe Monch off the head and over the past year.

We were sent an advance copy of this work, it's fantastic we're wholly recommending dipping through should you find yourself downtown in the ATX Thursday night. RSVP here.
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Drops - June 23

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Z-Ro & Chill - The Rain

We're kicking off today's releases with some homefield advantage.

I'm counting this as his 13th LP since the late '90s, but it's fucking impossible to keep track. Perhaps the Houston rapper's most glaring tragedy is his inability to assemble. Z-Ro is an endless stream of verses, guest flows, Screw tapes, and mixtapes. In other words, good luck catching up with the rest of his best of.

Finding a comprehensive discography or even album art for an album that comes out today is harder than hunting down a Coldplay zip file that hasn't been deleted by label bosses.

I don't even know who Chill is.
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B.o.B v. Bobby Ray

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"Finally a mixtape that features both Asher Roth and OJ da Juiceman!
"
- Cocaineblunts.com


We're holding off on the "stimuli" branding because none of us have actually taken the time to listen to this guy. Despite his waves of good pr and the abundant guests, the cover art seems to be in porous taste.

For those not familiar with 'ol dude (myself included), I've included Who the F#*k is B.o.B?, a round up of buzz, in this very post.

Links after the jump.
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New Clipse video ft. Ye "Kinda Like a Big Deal"



You can check out a "Making Of" for the video that we posted a while back here. The Clipse's new album, 'Till the Casket Drops, should be out this September.
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Live roundup: Monch, Wale, Lupe Fiasco, Bun B, Drake, Cool Kids



Footage from the live hustle.


Lots of superstars in action over the weekend, all over the map. Above we can peep Monch's keynote performance at the Brooklyn Hip-Hop Festival.

More weekend footage of shows from a-listers after the jump.

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Case of the Mondays - June 22

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The weekend in MP3s.

1. Ludacris - Cross My Mind
2. KRS ONE, Canibus - Clear N' Present Danger
3. Dead Prez, Chuck D - Refuse to Lose
4. The Jacka, Paul Wall - Get It In
5. Busta Rhymes - Kill Dem
6. Nas, Swizz Beatz - Be Worried
7. Jamie Foxx, Kanye West, The Dream, Drake - Digital Girl (remix)
8. Skillz, Mariah Carey - It's Alright
9. Young Chris, Freeway, 9th Wonder - Last Two
10. Ryan Leslie, Pusha T - Something Like That
11. Slaughterhouse, M.O.P. - Woodstock
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Bonnaroo recap v.3: Erykah, Snoop and reflections

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Our last day at the 'Roo came with a sense of accomplishment. Most festivals don't last four whole days. Most festivals aren't sprawled out over 700 breathtaking acres (in all manners of speaking) of farmland, transforming each day into a series of impromptu treks. Most festivals don't require you to survive on port-a-potties and "alternative shower solutions" for the better part of a week. But Bonnaroo was all those things and much more, and by the time we were preparing to leave Manchester, it felt a little like heading for the barracks after a battle: bittersweet. (editor's note: I've never been in a battle.)
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Stimulus: Wale + 9th Wonder - Back to the Feature

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I love hot shyt for the weekend.

Wale has a pretty much golden track record when it comes to his mixtapes (TMAN easily cracks the top 5 of recent years), and all indications are that this one won't disappoint. I was having a Wale vs. Drake debate with some friends the other day, and while I can't generally support sicking the young dogs on each other like that, here's some evidence for your eardrums. Nick Catchdubs on the ones and twos, and everyone else on the tracklist (including your mother). Attention: Deficit out this summer. (Attention Wale: no more mixtapes till then, please).
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Playlist: Juneteenth

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Given the occasion, ATG felt the urgency to reach out. Our resident boy genius, scholar Bradford Howard, on the day's soundtrack:


"Not sure if I should wish y'all a Happy Juneteenth... because it's a celebration of unawareness, somewhat lol. Still, let us acknowledge the day the slaves in Texas got the freedom memo later than everyone else..."
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The ATG Interview: Chuck D.

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Few artists in any genre have the good fortune or fortitude to keep the embers of their cultural relevance aglow two decades into their career. Fewer still, can claim to have fundamentally changed an art form, and then survived to see their innovations imitated, warped, forgotten, and payed homage to all while continuing to create, raise a family and lead a relatively normal life. With It Takes a Nation of Millions to Hold Us Back, one of the most celebrated hip-hop albums of all time, Chuck D and his inimitable side-kick, Flava Flav, crystallized for the masses the acute aggression and political unrest that had stirred below the surface of hip-hop since its inception, and became synonymous with a black power movement still very much alive today.

We caught up with the surprisingly congenial icon at the 2009 Bonnaroo Music and Arts Festival as he was preparing to perform It Takes a Nation in its entirety, and talked with him about longevity in hip-hop, the meaning of Barack Obama, and why Jay-Z's crusade against autotune is so misguided.
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Fabolous on beef between colleagues, Loso's Way


Wherein Fab talks Method Man v. Joe Budden squabble, Dame Dash, his new album.

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Wale - Rain, Sleet, Snow

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The D.C. rapper's hotly anticipated new work, Back to the Feature, drops tomorrow. Probably.

In the meantime, here's a freshly unearthed MP3 Shake just dug up that was originally conceived for a Nike compilation but is instead destined to float the net in quiet purgatory.

On a personal note, I'd like to publicly retract some February statements during which I basically hated on dude's style. I've come around. He's nice.


Wale - Rain, Sleet, Snow

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Big Sean graduates to MTV



We've been telling you about this Detroit rapper for a minute.

We're happy to see him get some nationally aired love.

Kanye's style and sound does wonders for anyone, granted. Likewise, Kanye endorsing and pushing an artist is a pretty safe bet. Still, we're counting it.
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Guccie Mane V. Jeezy: A brief history



One of the biggest clowns in the game and one of the most charming former cocaine peddlers of the past few seasons are straight beefing.

A track by track synopsis courtesy of Andrew Boz is gorgeously detailed here.

This is all we'll say on the matter.
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Bonnaroo recap v.2: The Beastie Boys + Special Guest and Public Enemy (Exclusive footage)



I'm not gonna lie: our first night camping at Bonnaroo was pretty much a disaster. A rainstorm descended on the grounds and wiped out our fragile camp site, forcing us to pack ourselves like sardines into our borrowed white Buick Regal for the night. Thankfully, Day 2 of the fest brought solace from the urban north, with a line up of enough stellar New York City acts to take one's mind off the ruggedness of the outdoors. We caught up with some of our favorite Brooklyn bands in the hip-hop deficient early part of the day, and were more than pumped for the evening's highlights: legendary NYC heavyweights The Beastie Boys and Public Enemy. 
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Big Sean - Glenwood (live)


Some random live footage from a home turf gig in Michigan.

Really, this Kanye hook up is one of the freshest jams I've spun in a minute, and it deserves a mention. ATG puts on lots of new music, but we rarely have time to pause, reflect, personally recommend.

If you don't already have it on repeat, please get on the brilliant mixtape.
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Stimulus: 50 Cent - War Angel LP

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This is a brand new (dropped yesterday, our bad for the delay folks) collection of work. But rather than a straight-forward mixtape, 50 has dubbed this a "street LP."

I don't know what the fuck that means, but I'd venture to guess the "LP" title stems from the artist's pride in his material - not wanting it labeled and passed as another fucking mixtape from G-Unit's camp. Also, that we're in for a treat. Just ask Fiddy:

"This is the best body of work I put out in the mixtape circuit," he recently told MTV News.

Link and list after the jump. Haters to the left. Before I Self Destruct tentatively booked for September.
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LL on beef, battles



Possible keys to today's lack of battling:

  • Battling is seen as a trend that peaked in the '90s.
  • "8 Mile" sort of played out the style.
  • Battle rappers are still battling, but none of them make any money or break beyond the "Scribble Jam" circuit...
  • Largely because battle rappers are cursed with an inability to concisely articulate flow in 16-bar increments spread out over 8-bar choruses.
  • Gucci Mane and his contemporaries suck it hard.
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Bonnaroo recap v.1: Murs, Janelle Monae and The Knux

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All photos by Evan Daniels for ATG

The first day of our 'head-first excursion into the heart of Manchester, Tennessee was a dizzying balance of highs and lows, consisting of more hours of driving than we care to remember, a credentialing snafu, an arduous attempt to pitch a tent with little-to-no requisite experience and, finally, a couple hours of high-energy, toe-touching, tag-teaming hip-hop.
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Lupe Fiasco - Shining Down f/ Matthew Santos

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Excellent news. A little something for the heads.


Lupe Fiasco, Matthew Santos - Shining down

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'Crunkcore' crew releases bullshit (f/ E-40)




Running down the offenses:

  • Faux-gangster posturing from suburban sceamo holdovers.
  • ...Done in mockery of hip-hop, with zero understanding of sound.
  • Mash up of decayed genre's from decade -  crunk and aforementioned "screamo" which is a blending of hardcore punk, ear candy metal licks, id-based romanticism, and couplets of nasally croons segmented between homo-ass screams.
  • Played furry mascot tagging along for benefit of creating some sort of deranged, detached underworld's underbelly that ultimately attempts to absolve creator's sins by chalking up behavior to warped caricatures that don't really do this in real life and are just having a good time anyway.
  • Mercenary guest verse from E-40 is a) weak, b) a shameless ploy at cred, c) wackest white boy security blanket since Asher Roth's Obama shirt. But at least Roth was sincere.
  • Sample rhyme, "Seen your photos on MySpace/what I gotta do to take you to my place."
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Cocaine etiquette: Clipse f/ Pharrell - I'm Good

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The follow up to the decade's best album coming in September.

You heard the Kanye collab, here's one with the era's other production savant.


Clipse, Pharrell - I'm Good

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Follow ATG on Twitter during 'Roo

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Do so here for everything you'd care to know about the enormous fest. From set lists to up to the minute stats, to instant Reggie Alerts should my man ever get action.

Safe travels homie.
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Bonnaroo Spotlight: People Under the Stairs



This music is so perfect for summer.

I'm getting ready to head up to my home-away-from-home in Austin, TX, where I'll be flying out to Nashville to rendezvous with my road-trip entourage en route to Manchester. And People Under the Stairs, who will be playing at Bonnaroo Thursday, make just the right kind of hip-hop for sunny afternoons like this one: Part UGK meets De La Soul, part MURS covering "It Was a Good Day..."
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T. Pain's subtle genius



Recession proof, son.

Mr. Pain on his love of diamonds.
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Mos Def on Fallon



See Mos batting for the cycle on the late night circuit. Chatter above, a Roots-backed rendition of "Casa Bey" after the jump.

Haven't allotted time to properly consume The Ecstatic due largely to overwhelming skepticism, but these two showcases hint at one spectacular whole.
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ATG Does Bonnaroo

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We've been working on this one for a minute, and it's high time we let the word out. A Thousand Grams has selected Bonnaroo, the sprawling, four-day musical mayhem in the middle-of-nowhere Tennessee, as the second major festival of its inaugural year...
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Stimulus: Big L - 5/30 Tribute

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Not sure how we missed this one.

One of the best, most mystique-laden underground rappers gets a proper rundown of rarities. Ma$e and Cam'ron are here, and so is Jay-Z. This, Lifestyles and Big Picture is all you need from L.

Tracklisting, link after the jump. Shouts out to DJ Soul.
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Mos Def on Letterman



The Ecstatic in stores today. "Quiet Dog" is the name of the joint.

Come get a taste.
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New Eminem video - "Crack a Bottle"



Cliche single gets artsy interpretation, no visual appearances in clip from Em, Dre, 50.

Kudos.
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Jay-Z's "D.O.A." taken to task

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Love Jay, love his cause, but I think all the Hova stans have to be honest with themselves and acknowledge "D.O.A." may be a prelude some scary circumstances. I was planning on musing about this, but Slate's Jody Rosen beat me to the punch:

On motives:
"Jay-Z may or may not have actual convictions about Auto-Tune, the pitch-correction technology that has made robotic vocal hiccups ubiquitous on hit radio. He definitely knows that publicity stunts are good for business. Which, presumably, is why he recorded "DOA (Death of Auto-Tune)," the broadside that premiered Friday night on New York's rap radio powerhouse Hot 97 and instantly became the talk of hip-hop."

On production:
"Musically, "DOA" is a snooze. The beat, by (prime Auto-Tune Offender) Chicago producer No ID*, has walloping snare drum hits and soprano saxophone noodling--a stock old-school sound that signifies we are about to receive a schoolmarm's lesson in Real Hip-Hop."

On lyrics:
"Which is what Jay-Z provides, or tries to, in a notably slack and witless recitation of would-be zinger-couplets."

On targets:
"Who exactly Jay-Z is taking on in this polemic is unclear. You would assume his targets are Kanye West, Lil Wayne, and T-Pain--the highest-profile Auto-Tune freaks--but in an interview on Hot 97, he excused those three on the grounds that their music has "great melodies."
In lieu of picking a fight with human beings, Jay-Z disses technology itself, calling out not just pitch-correction software but iTunes and ringtones.  (We await the release of the rapper's forthcoming
Blueprint 3 album for Jay-Z's rants against the cotton gin and the steam engine.)"

On perils of self-importance:
"In other words, Jay-Z has slipped on his backpack and is playing the curmudgeonly hip-hop purist.  This is usually a bad omen."
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Morning notes: Charles Hamilton versus Detroit, DMX gets probation


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Case of the Mondays - June 8

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The weekend in MP3s.



Tons of new leaks floating around, here are some highlights of the past two weeks. And yeah man, Jay-Z is on here. To the fresh baked goods:

1. GLC - My First Model
2. Lloyd Banks - Practice
3. Bump J, Kanye West - Top This
4. Busta Rhymes - How You Really Want It
5. Charles Hamilton, MC Lyte - New York City Girl
6. QuEST - I Will
7. Young Buck - Cashville Solid
8. T.I., Mary J Blige - Remember Me (final mastered version)
9. Raekwon - Once Upon A Time In America
10. Jay-Z - D.O.A.
11. Random Axe (Black Milk, Sean Price, Guilty Simpson) - Monster Babies
12. Lil Wayne - I'ma Go Getta
13. Lil Wayne - Told Ya'll
14.Mary J. Blige, Drake - The One
17. Trey Songz, Drake - Invented Sex
18. Fabolous, Trey Songz - Last Time
19. Fabolous, Jay-Z - When the Money Goes (remix)
20. Big Sean, Kanye West - Glenwood
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Kid Cudi reveals "Heaven at Nite"



The Man on the Moon, releases a video for his next single "Heaven at Nite" off his debut album that will be dropping this summer. It was previously featured on his mixtape from last year, A Kid Named Cudi, which is still really solid after an eternity in blog years.

 The video was shot by one of our favorite directors, Va$hite. Get more familiar with Cudi in a recent interview he did with Karmaloop TV after the jump.
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Rolling Stone meets Drake

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Rock journalism's venerated grandpa wraps its big, lumbering paws around "Drake-mania" with a worthy, lengthy expose on every rap blog's favorite 23 yr old. It's worth the read, so check it out.

One note: No matter how big the hype gets, or how steep the potential fall, we'll keep covering the music and the story as long as we think it's meaningful. We've been up on dude, and we think you should be, too. True story.
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New Jay-Z - "D.O.A. (Death Of Autotune)" (radio rip)

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Over the past week, the rumor mill has been churning with speculation that the anxiously anticipated The Blueprint 3 will not only be decidedly auto-tune free, but that it would make a point out of combating the controversial uber-trend head on. Thanks to Dre over at Nah Right, we now have the proof.

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Lil Wayne - "Kobe Bryant"

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My homeboy in LA says this track is inescapable.

"All Phil Jackson say is pass the ball to me."

The whole thing is an unadulterated love fest, actually. Hence the pic.

Lil Wayne - "Kobe Bryant"

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New Mickey Factz ft. Kid Cudi - "Do My Do"

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Via the newly redesigned gfcny.com. It's always good to hear new music from the Mick.

Factz goes in, but does Cudi get him?

Mickey Factz ft. Kid Cudi - "Do My Do"

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New Ghostface - "Forever"

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It's bangin' (duh). Ghost is easily one the most consistent rappers of the past decade. Supposedly he has a new album in the works, which shouldn't really surprise anyone. We'll keep you posted.


UPDATE: It'll be R&B heavy, as he recently revealed to Unkut Magazine. Check out this gem of a quote on why he's not into rapping at present:

[E]verybody don't sell crack no more, man. I don't sell crack, yo. I ain't movin' no bricks or none of that other shit. I ain't shoot nobody in like ... since the early '90s, man. How long you gonna be 40 years old and actin' like you still sellin' cracks and you on the block and you doin' this and you doin' that when times is more serious, man. We in a fuckin' recession, B! Ain't nobody gettin' no money, man! We gotta stop lyin' to ourselves and lyin' to the fans. And the fans gotta stop bein' so dumb and ignorant, and know it's time to talk about grown-man situations. Shit that happen in the real life, inside your household, your love life, your personal life, that's just like, "Damn, it's hard for a nigga to get some money!"



Ghostface Killah - Forever
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Charts: Relapse reigns, those wack ass Reggaeton dudes crack top ten

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Saw the 50 Cent-guesting video during some am, video block Insomnia purgatory. Trash of the lowest grade.

Anyway, these two motherfuckers debut in the top ten at number seven, well beneath Eminem's 211,000 shipped units, a sophomore week decline in sales of over 60% but plenty to bully every other album on the planet.

Marilyn Manson's new, irrelevant album debuts at number four, Grizzly Bear's creamed over indie rock opus rides the buzz to a longshot number eight debut.

Method Man, Redman and Busta fall outta the top ten, Green Day, Hannah Montana, Lady Gaga, Kenny Chesney, Rascall Flatts, Taylor Swift round out Billboard's top tier this week.
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Stimulus: The Best of DJ Quik

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Propers are in order to Matthew Africa for compiling a killer career retrospective on one of the most complete producer/rapper/DJ triple threats in hip-hop history.

Link and tracklisting after the jump.
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New Kanye (furreal) video ft. Mr. Hudson - "Paranoid"



Ladies and gentlemen, after a bunk leaked version and a blogging tirade from Mr. West, we present the actual video to the newest single and best song from West's polarizing November masterpiece, 808s & Heartbreak.
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Hands on with DJ Hero (E3 post)


E3, the Electronic Entertainment Expo, or 2nd Christmas for gamer nerds (like yours truly), is going on all this week, which means the 'net will be going nuts with all kinds of mouth-watering news about the sorts of (non-porn) things 15-35 year old males everywhere are secretly obsessed with.

The mad scientists at Xbox have wrought a freaky future that promises to consume you, Rockstar's rebels are saying "Yes, homo," and the above video represents a virtual wet dream for "hip" gamers everywhere. Plus, if you haven't heard, Jay-Z and Eminem are involved.

If you're interested, keep the tube on G4, or go here, here or here.
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Drake geeks out with Semtex


Can we talk about how geeky this kid is? Dude keeps it real humble, which is beautiful, but that cheddar cheese smile when Rihanna comes up? Lmao. Sure, it's preferable to "media training."

Drake talks about his upcoming album, which he started work on yesterday, called Thank Me Later. He drops pretty much the biggest names in the game in terms of collaborators, including Jay-Z, Lil Wayne and Kanye West. Obviously Weezy is a given, but 'Ye and Jay? We told you he had the most potential, but even we've gotta be a little skeptical on that front. Maybe it's the unbridled optimism, but I'm suddenly stricken with the feeling that there may be a rude awakening in store for this young man. Godspeed.

Part 2 coming soon, here's Semtex:

Drake was supposed to pass through my show last Friday, but he canceled at the last minute due to a studio session that was running late........with Rihanna.

I hooked up with him the following day, instead of doing the usual studio interview, we hit Hyde Park, which is London's equivalent of Central Park.

Drake breaks down:

*The Rihanna situation.
*Working with Kanye West
*Working with Chase & Status
*The forth-coming album and releasing it independently.

.....and more.

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TRV$ DJ-AM - Fix Your Face 2 (Mixtape)

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Fresh off a sweaty, pulsating Coachella tent gig (wasn't there, but how could the set have been anything but?), TRV$ DJ-AM provide a caveat-laced sequel to their Fix Your Face mixtape series:

Download it for free, but only if you Tweet about the project. Brilliantly simple strategy to build buzz. This can be done @ twitter.trvsdjam.com.

I'm not a Twitter fan and must put on the 2dopeboyz for circumventing the marketing scheme and providing a proper download package. Said link can be followed after the jump.
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New Consequence video - "Mr. Popularity"



Dope cut from one of the best Kanye cronies.

Dude is cold.
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Jay-Z & Eminem live in LA



God emcees.

From an impromptu gig last night. Shouts out to Eskay for the pics.

Em will never mean as much to rap music as Jay; he'll never come near his output of good songs and taste, but if we're splitting atoms his superior performance on this pivotal Blueprint standard (in effect claiming the best verses on Jay-Z's best album), makes Em the better rapper in my book.
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Sacha Baron Cohen goes balls out on Eminem prank


If you haven't seen the above, welcome to planet earth. Now please press play.

The predominant theory goes that Em signed on to participate in a prank involving Sacha Baron Cohen swinging from the rafters as his gay Austrian Bruno character. If you watch closely, you can see a quick shot of Eminem giving the camera a cheesy "surprise" face as Cohen is descending.

What he didn't realize was that he was about to get tea bagged (that's right, Repubs, we're taking it back) by a 170lb man in a g-string on live television. Apparently Em's pretty pissed, but Bruno milked it for all it was worth.

"Stop touching me guys, I have a boyfriend!!"

"Is the real Slim Shady about to stand up?"

However you feel about Em getting his face rubbed in it, the execution alone was pretty much comic genius on Baron Cohen's part.
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